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Kandha Kottai’ is originaly produced by T T Raja under the banner of E S K Productions. Kalpathi Agoram has later acquired the rights and planning to release the movie soon.
Release Date: 19 Dec 2009 Genre: Action - Romance Language: Tamil Certification: U Director: S. Kadhirvel Producer: Kalpathi S Agoram Music Director: Dhina
Cast:Nakul,Poorna,Santhanam,Sampath Raj and others
Nakul’s both the previous films ‘Kadhalil Vizhundhen’ and ‘Maasilamani’ proved to be successful films at box office. Of course, Sun Pictures had publicized the film with greater magnitude thereby increasing the popularity.
But this time, Nakul seems to have geared up for a similar style of ‘Maasilamani’ which fails to impress any centers.
The film is about beating the same bush where hero doesn’t believe in love and later falls for a girl and saves from the trouble.
The film is about Siva (Nakul), who has a great hatred for love and those who’re in love (the character itself reveals about it in the introduction part). On the contrary, Pooja (Poorna) does Vijay ‘Shahjahan’ here as she is ready for any risks to unite the couples in love. These characters encounter each other when Siva’s sister Girija and Poorn’a cousin boy are in love.
Later Siva develops a great affinity for Pooja and falls in love with her and so she does. But the problem strikes when Pooja rejects her friend’s proposal. Unbearable to her denial, he commits suicides and his father (Sampath) sets out to retaliate for the closer ones of Pooja.
Now our hero gets into the picture and wins over the baddie, joining hands with his belle.
The film has nothing to appreciate about. Nakul follows the same patterned performance as in his previous film. Naturally, he’s a good dancer and the song ‘Eppadi Ennul’ he crooned is a feet-tapping number. But it’s annoying to watch him fighting against hefty rowdies.
The audiences are expecting something worth for the money they pay.
Poorna on the other hand overblindly imitates Asin with her gestures, facial expressions, which in no way suits her. We kindly request Poorna to have a better makeover and costume designing and don’t try glamour.
Santhanam cannot afford something different other than passing funny comments, sometimes even clumsy.
Dheena’s musical score doesn’t catch-up our attention while cinematography is okay.
Finally, with a big ticket having hit the screens this weekend, ‘Kandha Kottai’ has no probabilities of get it going successful at box office. Nakul has to change a lot when it comes to choosing the script that has content value.
After a long time, almost all the songs in Vijay’s film impress the audiences. Especially, he has completely changed his dancing style from his previous films.
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Public Opinion, First Day
Trailer
First Day Celebration
Audio Launch funtion
Performance The first screening for the audience of India and Sri Lanka was at 11.30 on the 17th of December. The film was then screened worldwide on the 18th of December 2009. The film has mostly received negative reviews so far
Several actresses were considered to essay the lead female role with Shriya Saran, Tamanna Bhatia,Ileana D'Cruz, Bhavana Balachandran, Asin Thottumkal Nayantara, and Anushka Shetty being considered for the role. Afterwards, Anushka Shetty was finalized to portray the role.
Vijay Antony was favoured for the music composer position, who recently scored for the film Kadhalil Vizhunthen and received many accolades for "Nakka Mukka", which was regarded as one of the best songs composed in 2008.
Cinematographer Gopinath was chosen to be the lead cameraman in the film after Ravi Varman was dropped out from the film.
V. T. Vijayan was also signed as the film's editor while Milan has been signed to serve as the film's art director.
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Some themes are capable of questioning the collective conscience of the society. Renigunta has to fall into that genre. Though not being a path breaking or trail blazing effort, Renigunta has enough uniqueness and undiluted treatment to deserve some attention. It is very clear that the film has not been made with only commercial success as the motivation; the makers have been honest to the theme first and put all other elements behind it.
Renigunta tells the story of 5 young men who are at large after having escaped from prison. They land up in Renigunta after their journey to Mumbai goes awry midway. They stay on as they find Renigunta a fertile ground for their activities which mainly consist of carrying out murders as per order. They are ruthless assassins who will kill anyone for a fee, it seems. But, how did they turn out to be the criminals that they are? That is where Renigunta can make people do some soul searching. The process of creating a criminal out of a very normal youngster is masterminded by the society; first by preferring to keep quiet when he needs help and then by hurriedly branding him as a criminal the moment he tries to raise a voice for himself. With no alternative left, the young man turns to the only people who will accept him into their fold, they are people who have already been branded criminals by the society. The like minded and similarly affected youngsters join together knowing that their only hope of a future is by intimidating others into submission and they pick up arms, turning into full fledged assassins.
The process of a criminal’s evolution is told through the life of newcomer Johnny who is the son of a law abiding dutiful police officer who gets involved in a pretty dangerous case. Johnny’s dad’s conscientiousness costs him his life as well as his wife’s. Only Johnny is left alone. No one comes to his help, no one fights for justice and the frustrated and angry young man tries to wreak revenge. But, too small and too weak for the evil forces, he is branded as a criminal and put behind bars. Again, neither the law nor the society turns to help him. Labeled as a criminal and facing torture in jail, he finds refuge in a band of four young men who have already turned the corner and accepted lives on the wrong side of the law. The quintet sets off on the journey that takes them to Renigunta.
The film is not all about crime and violence. Even if these elements form the major portion and the moving force of the narrative, the finer emotions within the minds of the youngsters is also shown. There is a muted love story (literally) that blossoms between Johnny and a girl in Renigunta who cannot speak. It is understated for most part but the feelings are effectively communicated. The other four associates of Johnny realize this and implore him to leave their company with her so that he can have a normal life. Fine strands of friendship can be felt here. The character of the girl’s elder sister who has been forced, partly by circumstances and mostly by her drunk husband into being a prostitute also leaves an impact. In spite of her sufferings she wants to make sure that her sibling gets a peaceful life. The climax carries the typical message that crime never pays.
The director (Paneerselvam) has delivered what he set out to give. He has not diluted the theme or deviated from it for commercial considerations. The amount of violence seems to be justified by the script; one cannot point out a place where it seems forced. Having said that, the A certificate is completely justified and the movie is certainly not for very young people or those who are looking for regular entertainers. It is dark and grim most of the time. Scenes are gory and at times can leave even men accustomed to such movies with a grimace. The young cast, mostly newcomers have done a fine job. Johnny and Sanusha do their parts well; the former impresses in spite of having very few dialogues. But, it is the young handicapped man who impresses the most, especially in dialogue delivery.
Technically the movie is adequate. Camerawork suits the mood of the movie for most parts while music does not find too much of a place in spite of a few songs in the film. Dialogues by Singampuli are definitely praiseworthy.
Renigunta is not a movie made with commercial intentions in mind. Though violence and brutality are constants throughout the movie, it is neither superficial nor forced. The message that the director set out to convey has been said effectively, the society’s role in making criminals out of promising young men has been shown, the third degree treatment meted out to accused prisoners is depicted and the helplessness of such people is well portrayed. It is bound to get noticed in the non-commercial circles. Watch it if you can stomach some undiluted portrayal of violence, third degree and the dark side of life on the wrong side of law. It is not for the regular entertainment seekers nor advisable for those few who believe in mimicking on screen exploits in real life.
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Star-casts: Ameer, Madhumitha, Nirmala Periasamy, Snegan and others. Banner: Team Work Productions Production: Ameer Direction: Subramaniam Siva Music: Yuvan Shankar Raja Firstly, ‘Yogi’ is a remake of ‘Tsotsi’, a world cinema that’s making high waves in various arenas till the moment. The film is about a ruffian, who comes across a child and how is a life change from then on.
The story was perfect on all terms – say from narration, duration, technical treatment and performances as well. With Subramaniam Siva and Ameer joining hands together, the duo has landed up for a different treatment of this film attempting to suit the taste of Tamil audiences.
Unfortunately, Ameer has failed to recognize himself of giving best things and falls into the pit of what other masala filmmakers do after watching DVDs.
Sorry to say! The film lacks solidity from the beginning till the end. Sparing few honky-dory of its kind of exceptional shots of Ameer playing with snake and rats, there’s nothing much that invigorates your senses.
Unwanted build-ups for Ameer with top-angle and rap background score spoils out his image badly…
Yogi & his gang – the most threatening gangsters find themselves as powerful entities. Nothing stops them from looting the money and wealth. On the run of being chased by police, Yogi barges into a car and drives on to elope from the clutches of cops. And then he finds a baby child, which changes his entire course of life.
Let’s analyze the film on positive and negative aspects:
The pluses are Ameer’s performance. The filmmaker has done his part well. Especially, we have to appreciate him for maintaining a good physique. But he should’ve pretty well focused on trimming certain unwanted parts.
For illustration, the introduction part of the film is so lengthy and so are the flashback sequences. The father’s role is so cruel and overdosed violence and awkwardness. Those shots should’ve been just narrated within a matter of song.
Madhumitha excels with her performance. It would have been better if her skin was yet more tanned. Swathi doesn’t get more footage while Vincent Ashokan has a new-dimensioned characterization. Lyric writer Snegan overreacts on many occasions and tries to vocalize as gangsters in Gowtham Menon movies.
Only solace is through Yuvan Shankar Raja. He makes a commendable effort on both songs and background score. Cinematography is perfect and editing is sleek.
If Ameer had avoided the unwanted elements and presented the film with a short duration, the film would’ve been a sure winner across all centres.
But now the results remains contrastive as there are no probabilities of film succeeding.
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Production: Nemikchand Jhabak, Hitesh Jhabak
Direction: Selvah
Star-casts: Jeevan, Sangeetha, Lakshmi Rai, Hema Malini, Swetha Menon, Rakshana and others
Filmmaker Selvahs remake of Naan Avanillai proved to be a black horse at box office and after now hes proving of his adeptness again with its sequel. Nearly couple of years, The Master of Deception is back in business with his tritely conniving styles. Jeevan plays the same role of a conman transfixing the filthy rich girls (Lakshmi Rai, Hema Malini, Swetha Menon and Rakshana), whose dreams are barely about money, diamonds and an obedient servant-like-husbands.
Although, the entire film has the hackneyed narration of Jeeva repeating the same fraudulent acts again and again, Selvah makes sure that audiences dont feel bored about it. Much similar to the prequel, weve Jeevan reasserting Naan Avanillai (I am not that person) and naturally, it adds to the interesting quotients in this film.
Sangeetha gears on for an exceptional role sans glamour while rest of the actresses seem to have crossed their limits of glam-quotients. Especially Hema Malini turns to be topped on these charts as she does nothing other than skin shows. On the pars, Rakshana and Swetha Menon strive to get their skins exposed to extreme. But its really puzzling on whos actually designing costumes for Lakshmi Rai.
Technically, the film hasnt got anything special to mention about. It looks like music director Imman had just scored the music without any interests. Or maybe, Selvah requested him not to strain too much for best tunes.
Though Jeevans scheming acts are quite enjoyable, they lack logicalities. The best part to be appreciated is Selvahs sleek screenplay and his ability to present an entertaining film with a short duration of just 105mins.
Finally, if youve planned to watch this Naan Avanillai-2, just go ahead, sit back and relax. But please drop your reasoning factors aside and dont question certain illogical attributes prevalent in the screenplay
Pazhassi Raja (Theatrical release name in Kerala: Keralavarma Pazhassiraja) is a Indian multilingual biopic magnum opus film directed by T. Hariharan, and written by M.T. Vasudevan Nair. It stars megastar Mammootty in the title role, and R. Sarathkumar, Thilakan, Kanika Subramaniam, Padmapriya, Manoj K. Jayan, Peter Handley Evans, Harry Key, Linda Arsenio and Jagathi Sreekumar in other major roles. The film's music score and soundtrack are done by Illayaraja. A part of the score was produced at the Hungarian National Philharmonic (Hungarian State Symphony Orchestra), Budapest. The sound designing is done by Academy Award winner Resul Pookutty. Originally filmed in the Malayalam language, the film is dubbed in Tamil, Telugu and Hindi. The film released on 16 October 2009 across Kerala with a record 130 prints
Vijay TV Sirappu Parvai
The movie is about the king Kerala Varma Pazhassi Raja (Mammootty), who belong to the Kottayam royal family, and his guerilla revolts against the (British East India Company) when they imposed high revenue policies towards the peole of Kottayam. Kottayam kingdom comprised the present day Wayanad.
Pazhassi Raja was the ruler of Kottayam. His family helped the British to fight against Tipu Sultan when the latter tried to invade Wayanad. But soon after the British imposed high taxes on the people of Wayanad. Pazhassi Raja opposed this movement and didn't agree for the new taxes. This made the British Rulers angry with him. With the help of Pazhassi Raja's uncle Kurumbranaadu Raja Veeravarma (Thilakan), who was jealous with Pazhassi for his success and influence on the people, and Pazhassi's old companion Pazhayamveedan Chandhu (Suman), the British started war against Pazhassi. This forced Pazhassi Raja to escape to the forest.
Development Gokulam Gopalan is the producer of Pazhassi Raja. The total budget of the movie is about INR 32 crores ,which makes it the costliest Malayalam movie The sounds in the war scenes of the movie were recreated under Academy Award winner Resul Pookutty as he joined in the project only after its completion.
Casting
Mammootty plays the titular role of Pazhassi Raja. There are three heroines with Padma Priya appearing as a Tribal girl, Kanika as his wife and Linda Arsenio as an English woman. Linda is a theatre artist in New York, who has also acted in the film Kabul Express.
Through this film, Sarath Kumar makes his debut in Malayalam cinema. He portrays Edachena Kunkan, the chief lieutenant to Pazhashi Raja.Suman plays a negative role Pazhayamveedan Chandu
Starring: Aadhitya Anbu, Manisha Shattarji, Charu Haasan, Kadhal Dhandapani. Direction: Rajaa Mahesh Music: Shravan When the Cauvery dries up, who suffers the most? Not the people in the cities who don’t get running water in the pipes, it is the farmers in the villages who helplessly watch as their crops wilt in the harsh summer sun, knowing that each passing day is pushing them into abject poverty and starvation. Someone has to stand up to fight for those who suffer. The young Thambivudayaan decides that he has had enough of waiting for the right things to happen, he takes matters into his own hands. Does he succeed? Dealing with a theme of burning contemporary relevance, the film shows very uncomfortable realities of rural life. Maybe that is why it had to go through a long and tedious censor process with around 40 recommended cuts. This shows that the treatment of the film by director Rajaamahes has been strong and uncompromising. The cast is full of new faces. Music has been scored by Sharavan and camera has been handled by Madhavaraj Datar. It will be interesting to see whether this socially relevant theme is able to strike a chord with the audiences
Palaivana Cholai" surrounds its story among five close friends Prabhu, Ramana, Yuvan, Ilavarasu and Aathi. Ramana (Sanjeev), a poor man whose sister Gayathri is ready for marriage. He arranges his sister's marriage with someone and invites his friends and elations. Priya, Prabhu's lover, helps Ramana by giving her mother's wedding chain. Does Prabhu separate from Ramana? Does Priya fall in love with Ramana? Forms the rest of the story.
How nice was it to hear Arshad Khan revealing the way how they choose film’s title? In fact, the promos did evoke our certain levels of watching the film. But it’s really disappointing to watch the film ‘ Saa Boo Thri’ as it doesn’t look to be different on any extents
Maybe, if Arshad had made this film catering for B and C centres, then they wouldn’t have recognized where he had got the ideas lifted from. But then, multiplex audiences will easily point out every scene lifted from Hindi films. Say for instance, Arshad Khan falling in love with older woman is a direct call from Dil Chahta Hai where Akshay Khanna falls for Dimple Kapadia. Similarly, Prajan and Mithuna involved in online dating is a copycat from Revathy’s ‘Mitr – My Friend’. Uh-huh! Not everything looks great in this film with double etendre liners and clumsy elements.
Three friends – Pal (Arshad Khan), Keerthi (Prajan) and Akshay (Bala) living together in the same colony are into a different paths of approaching their love. Keerthi is married to Jo (Mithuna), but there is something missing in their lives – understanding and happiness. Precisely, they start finding it over their online dating unaware it’s themselves over the other ends. Pal (Arshad Khan) has penchant like for older women and falls in love with one such lady. And then there’s Akshay (Bala), who’s almost on the verge of proposing Sherin (Pinky), but goes flat on floors after coming across Lekha (Mithuna). No wonder! Now he is ready to propose Lekha and win her heart…
Three different approaches and unlikely unparallel in ways – what unfolds next isn’t carried along the way it should be.
Prajan does his part well and Arshad Khan looks handsome. Maybe Arshad should’ve tried attempting for a strong challenging role instead of making his presence in such flimsy characters. Akshay is okay while none of the female artists impress us.
Musical score by Abbas Rabi is disgusting and do they really know how a real music should sound like. Or at least do they play the songs after composing tunes? Cinematography is perfect with rich pictorials.
With prevalence of so many Hindi films, Saa Boo Thri fails to hold our attention. By chance, few school-going adolescents may like it.
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Adhe Neram Adhe Idam romantic drama film written and directed by M. Prabhu, which stars Jai and Vijayalakshmi Agathiyan in lead roles. The film was released on November 6, 2009.
Directed by M. Prabhu Produced by Hari Rama Krishnan Written by M. Prabhu Starring Jai Vijayalakshmi Agathiyan Nizhalgal Ravi Lollu Sabha Jeeva Music by Premji Amaran
Star-casts: Jai, Vijayalakshmi, Rahul and others Production: Hari Ramakrishnan Direction: M Prabhu Music: Premji
‘Ore Oru Vaatti… Enkuda Oru Night Spend Pannu…. Ha..Ha..Ha.. Adhukku Appuram Naa Unna Tholla Panna Maatein’ – such hackneyed dialogues have been persistently rendered by our onscreen guys for making whoopee with heroines who dumped them by marrying someone else…
For the God’s sake, how long will our filmmakers keep beating the same bush with annoying stories? If you’ve watched the film, bang your heads and confess.
Sorry if we’ve hurt the feelings of Prabhu. We appreciate him for choosing a clichéd story with some twists in the second half. But then, it’s not so impressive and Prabhu could’ve worked for a slick narration.
Much similar to very old films where jobless hero roams around with his friends and comes across the heroine and falls in love at first sight and then there are some twists and turns. Karthi (Jai) falls in love with Janani (Vijayalakshmi) as he comes across first time. Later, he somehow impresses and manages to win her heart. But then father (Nizhalgal Ravi), who wants his son to fly Australia for higher studies.
Meanwhile, Janani marries someone else as the guy is rich and good looking. On his return flight, Karthi comes across a new friend Shiva (Rahul) and they become friends now. When Siva comes to know about Karthi’s pitiable love story, he urges him to take revenge on that girl who cheated him.
And now, our hero starts blackmailing Janani until she accepts to share her bed with him for a time. But the biggest shock is awaited for Karthi, when he comes to know that Janani is none other Shiva’s wife.
Jai looks tranquilized all throughout the film and maybe, he wasn’t interesting in this film. Vijayalakshmi doesn’t suit the glamour part and newcomers Rahul has a long way to go. Premji cannot afford to bring out a good music.
Finally, ‘Adhey Neram Adhey Idam’ could’ve been made with yet more finely tuned screenplay removing certain clichéd absurd factors.
Cast And Crew Release Date: 04 Sep 2009 Genre: Drama Language: Tamil Certification: U Director: Rathi Bala Producer: Vimal.K, Janaki Sonaimuthu.S Music Director: Xavi Cast: Aravind Vinod Srithika Muthukalai
Watch Madurai to Theni movie online
Madurai to theni Part 1
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Madurai to theni Part 3
Madurai to theni Part 4
Madurai to theni Part 5
Madurai to theni Part 6
Madurai to theni Part 7
Reviews
Madurai to Theni is something completely away from that league, the film portrays a beautiful love story of a young couple with no gory violence. What happens to a young couple who travel from Madurai to Theni in a bus
Special Interview with the Team
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Tamil cinema is now turning its attention towards new themes and new avenues. Welcome debutant filmmaker Radhibala, who has managed to weave an interesting movie that is typical of Madurai, the flavour of Tamil cinema.
What more, the director deserves applause for narrating a romantic tale on board a bus that is proceeding from ‘Madurai To Theni’ - via Andipatti, as the title suggests.
Radhibala deserves all applause for his hard work to get even the minute detail perfect in the script. Be it the dialogue, body language or the environ, everything is oozing with Madurai flavour.
At a time when every other filmmaker have picturised the town as a violent and furious, Radhibala has shown the pleasant side of it. There is no glamour, violence or double-entendre in the movie.
The intelligent director has not given any name to the lead characters enacted by Vinodhkumar and Srithika, who travel in the bus. Sweet romance between them amidst all fun in the travel is the film.
A youth (Vinodhkumar) decides to go to a village near Theni from Madurai to take up the job of a primary school teacher. Just before he begins his journey in a bus, he helps rescue a young girl (Srithika) from a freak mishap. Call it coincidence, both travel in the same bus.
The couple doesn't speak to each other but develops soft corner towards each other. Also there is the bus conductor (Raj Kumar), who hogs all limelight with his antics. When the girl gets down in her village, the youth follows her.
He manages to locate her house in the village and openly express his desire to marry her to her parents. All hell breaks loose. Did he manage to convince them and take the girl with him or not forms the climax.
What is interesting is that the director has managed to render an engrossing entertainer without any popular artiste in the film. Newcomers Vinodhkumar and Srithika have done a commendable work. They look at ease before the camera and performed what their director wanted them to do.
Singamuthu, who plays a prominent character, does a neat job and so are Nellai Siva and Muthukalai, who appear briefly in comic roles.
The movie shot in digital format by Guhan is pleasant to eyes. Music by Xavi is racy especially the remix of 'Dheena Karunakarnae..'. All said, the film is a feel-good entertainer that is worth a watch.
Kanden Kadhalai Movie Story : Sakthi (Bharath)is down with a plummeting business, his mother choosing to live her auditor and his own girlfriend marrying someone else. So, he walks away from it all and lands up on a train, destination unknown. He meets Anjali (Tammanah), the girl who is opposite to him. And when she misses her train while trying to dissuade him and Sakthi takes her to her home in Theni. By the time they reach there, Sakthi has learnt to smile, ans learns her love for Gautham (Munna),and takes his help for a runaway marriage. Shakthi goes back to resurrect his business. Everyone believes that they are together,somewhere. It takes some time for Shakthi to realize that everyone believes in something that is not exactly true. So, he sets out to prove that Anjali has actually found love and life with another person. Does he find her? What is she doing? Does love happen? tags: Kanden Kadhalai movie, KandenKadhalai tamil movie, kandean kadhalai, kanden kadhalai online, kanden kadhalai download, kanden kadhalai full tamil movie, 2009, kandean kadhalai, kanden, kandean, kadean, kadalai, kadhali, kadhal, kadhale, kanden kadhalai 2009 tamil movie,free, watch kandean kadhalai online, tamil latest movies
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Aalavandhan, a 2001 released thriller film. The film directed by Suresh Krishna, stars Kamal Haasan in a dual role, along with Raveena Tandon and Manisha Koirala as his love interests. The film's score is composed by Shankar-Ehsaan-Loy. Present actor Jayam Ravi served as an assistant director.
This movie was simultaneously released in Telugu and Hindi as Abhay. The film is an adaptation of a novel called Dayam that was written by Kamal Haasan in 1984
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Crew Director: Suresh Krishna Producer: Kalaipuli S. Dhanu Music: Shankar-Ehsaan-Loy Lyrics: Vairamuthu Cinematography: Tirru Editor: M. Kasi Vishwanathan Background Score: Mahesh Art Director: Samir Chanda Stunt Coordinator: Vikram Dharma
The film was a commercial failure but continued to top the year's charts grossing $5 million at the box office.
Jayam Ravi worked as an assistant director in this film.
Director: T V Chandran Star Cast: Navya Nair, Prakash Raj, Cheran, Akil Kumar Music Director: Isaac Thomas Kottukapally Cinematography: Madhu Ambat Screenplay: T V Chandran
This movie was taken exclusively aimed at receiving the National award.
The events in the movie are phased over 4 time periods. In one span, Cheran plays the role of a director and Navya Nair is plays the role of an actress. This film was initially produced by Unni Krupa Films. Since the movie’s budget exceeded 1crore (which was not expected), the production company backtracked.
Finally the director, hero and heroine of this movie started a new production company called “Light and Shadow”, and completed the movie. This movie has been sent to the National awards committee. Cheran is confident that both the movie and Navya Nair would receive a National award.
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